Music and Its Referential Systems

Matjaz Barbo Thomas Hochradner

Film & Musik

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Beschreibung zu „Music and Its Referential Systems“

How can we define the referential systems by which music is determined and through which music gets its own sense and meaning? What is the relation between these systems? Such questions are of particular weight in relation to current music practices, characterized by a great many of analytical procedures and hermeneutical views.
The questions raised open a series of different thematic fields presented in this book. The authors allocate the place of music to the field of aesthetic autonomy or describe its specific sign system(s). Special attention is focused on the systems of musicological contextualization and the meaning/understanding of music in different historical and/or functional contexts, from traditional liturgical chant up to recent compositions. Various contributions in the collection are dedicated to the relation between music and film, while others deal with the special sociological conditions that constitute some specific musical praxis, such as folk or rock music.

Über Matjaz Barbo

Matjaz Barbo graduated in musicology from the Faculty of Arts in Ljubljana in 1991, and received his doctoral degree in musicology in 1997. Since 1991 he works at the Department of Musicology at the Faculty of Arts of the University of Ljubljana, and was promoted to full professor in 2010. He has lectured at different universities (Graz, Brno, Leipzig, Salzburg).
He has been the editor of the Musicological Annual (Muzikoloski zbornik) since 1998. His research focuses on music from the eighteenth century to the present, especially music connected with Slovenian cultural life. Besides that, his research interests include aesthetics and the sociology of music.


Verlag:

Hollitzer Wissenschaftsverlag

Veröffentlicht:

2012

Druckseiten:

ca. 363

Sprache:

English

Medientyp:

eBook


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