The Tracer of Lost Persons

Robert W. Chambers

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He was thirty-three, agreeable to look at, equipped with as much culture and intelligence as is tolerated east of Fifth Avenue and west of Madison. He had a couple of elaborate rooms at the Lenox Club, a larger income than seemed to be good for him, and no profession. It follows that he was a pessimist before breakfast. Besides, it's a bad thing for a man at thirty-three to come to the conclusion that he has seen all the most attractive girls in the world and that they have been vastly overrated. So, when a club servant with gilt buttons on his coat tails knocked at the door, the invitation to enter was not very cordial. He of the buttons knocked again to take the edge off before he entered; then opened the door and unburdened himself as follows: "Mr. Gatewood, sir, Mr. Kerns's compliments, and wishes to know if 'e may 'ave 'is coffee served at your tyble, sir." Gatewood, before the mirror, gave a vicious twist to his tie, inserted a pearl scarf pin, and regarded the effect with gloomy approval. "Say to Mr. Kerns that I am-flattered," he replied morosely; "and tell Henry I want him." "'Enry, sir? Yes, sir." The servant left; one of the sleek club valets came in, softly sidling. "Henry!" "Sir?" "I'll wear a white waistcoat, if you don't object." The valet laid out half a dozen. "Which one do you usually wear when I'm away, Henry? Which is your favorite?" "Sir?" "Pick it out and don't look injured, and don't roll up your eyes. I merely desire to borrow it for one day." "Very good, sir." "And, Henry, hereafter always help yourself to my best cigars. Those I smoke may injure you. I've attempted to conceal the keys, but you will, of course, eventually discover them under that loose tile on the hearth." "Yes, sir; thanky', sir," returned the valet gravely. "And-Henry!" "Sir?" with martyred dignity. "When you are tired of searching for my olivine and opal pin, just find it, for a change. I'd like to wear that pin for a day or two if it would not inconvenience you." "Very good, sir; I will 'unt it hup, sir." Gatewood put on his coat, took hat and gloves from the unabashed valet, and sauntered down to the sunny breakfast room, where he found Kerns inspecting a morning paper and leisurely consuming grapefruit with a cocktail on the side...

Über Robert W. Chambers

Robert Chambers was an American artist and writer best known for The King in Yellow, an 1895 collection of weird short stories, connected by the motif of a fictitious drama The King in Yellow, which drives those who read it insane. E. F. Bleiler described The King in Yellow as one of the most important works of American supernatural fiction.


Verlag:

Ozymandias Press

Veröffentlicht:

2016

Druckseiten:

ca. 160

Sprache:

English

Medientyp:

eBook


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